krystalgreven
krystalgreven:

[3/52] Yellow
Here is my take on the color yellow.
This picture is 7 pictures put together:2 pictures for me. Since I was the one holding the remote for the camera shutter, I had to pose myself with the remote in each hand so I could use the ones with the open hand.And 5 pictures for the sheets. I bought this twin flat sheet at a thrift store for $3 specifically for this photograph. It only covered so much space, so I had to position it on one side, flick it in the wind, then repeat on the other side. I then composited those “flicks” together into one big sheet of movement.
A lot of photographs were taken for this, but having my dad as a peanut gallery/watch dog/audience member, I managed to get what I needed and leave within an hour. Not to mention the entire day I waited for this perfect sunset light.
I hope you like this as much as I do.
Free is the bird without a cage.

Worth the effort. It’s gorgeous.

krystalgreven:

[3/52] Yellow

Here is my take on the color yellow.

This picture is 7 pictures put together:
2 pictures for me. Since I was the one holding the remote for the camera shutter, I had to pose myself with the remote in each hand so I could use the ones with the open hand.
And 5 pictures for the sheets. I bought this twin flat sheet at a thrift store for $3 specifically for this photograph. It only covered so much space, so I had to position it on one side, flick it in the wind, then repeat on the other side. I then composited those “flicks” together into one big sheet of movement.

A lot of photographs were taken for this, but having my dad as a peanut gallery/watch dog/audience member, I managed to get what I needed and leave within an hour. Not to mention the entire day I waited for this perfect sunset light.

I hope you like this as much as I do.

Free is the bird without a cage.

Worth the effort. It’s gorgeous.

uispeccoll

iowawomensarchives:

Sept. 17, 1918 - Tonight the big hospital train came in and every one was on duty until late bathing and dressing the poor boys. Such horrible wounds. How can any one of us complain after seeing the brave acceptance which the boys display…

Here’s a sneak preview from our upcoming World War I digital collection and transcription project, featuing the photo album and journal of Louise Liers, a Clayton, Iowa, native and Army nurse who spent 16 months in France treating wounded soldiers. Check back for links to the full items soon!

Iowa Women’s Archives: Guide to the Louise Liers papers, 1911-1983

View all Women’s History Wednesday posts

brianmichaelbendis

brianmichaelbendis:

Bill Sienkiewiicz 1986: Elektra: Assassin #3

I wanted to paint Elektra: Assassin at all costs. I wanted to do it so badly, that the rate for the coloring was like $40 a page. They didn’t have a painted page rate at the time. So I was doing all that work for essentially nothing because I needed to do it, I wanted to do it. From working with Frank’s scripts to laughing my head off to being inspired and excited and knowing that whatever he was going to throw back at me was going to inspire me further. It really helped to make it about the work… because it all got turned back into the storyline. It was a very creative environment

Bill Sienkiewicz, interviewed by Comic Book Resources